Oops I Did It Again Catchy

2000 studio album by Britney Spears

Oops!... I Did It Once more
Britney Spears - Oops!... I Did It Again.png
Studio anthology by

Britney Spears

Released May 16, 2000 (2000-05-16)
Recorded 1999–2000
Studio
  • 3rd Flooring
  • Avatar Studios
  • Bombardment Studios
  • Electric Lady Studios, New York Metropolis
  • Eastward Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Popular
  • dance-popular
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Babe One More than Time
(1999)
Oops!... I Did It Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Once again
  1. "Oops!... I Did It Again"
    Released: Apr xi, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Be the Last to Know"
    Released: March 12, 2001

Oops!... I Did It Again is the second studio anthology by American vocaliser Britney Spears released on May 16, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby One More Time (1999), it is a pop, trip the light fantastic toe-pop, and teen pop record, the album incorporates a more than funkier and R&B sounds.[1] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its product, sonic quality and Spears' vocal operation. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking within the height x in various others. In the The states, information technology debuted at number 1 on the Billboard 200, with first-week sales of i.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[iii] This tape was cleaved fifteen years later by Adele'due south 25, which sold over 3.38 million copies in its first week of release.[4]It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United States, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over 20 1000000 copies,[half-dozen] Oops!... I Did It Once more is one of the best-selling albums of best.

4 singles were released to promote the album. Its championship track was commercially successful in a number of territories, reaching number i in fifteen countries and peaking at number 9 on the U.s. Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Kingdom of denmark, Republic of ireland, Italy, kingdom of the netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-iii on the The states Billboard Hot 100. Its third single, "Stronger", reached the top ten in Republic of austria, Republic of finland, Deutschland, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the U.s. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Commonwealth of australia, Kingdom of denmark, Deutschland, New Zealand, Sweden, and the United States. Its last single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the top x in Austria, Poland, and Switzerland, but failed to nautical chart on the US Billboard Hot 100. To promote the album, Spears performed on several tv set shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Over again Tour, starting on June 20, 2000 and ending at the Stone in Rio festival on Jan 18, 2001.

Recording and production [edit]

"When I did the showtime album, I had just turned 16. I mean, when I wait at the album cover, I'yard like, 'Oh, my lordy.' I know this next album's going to be totally different--especially the cloth. I just got finished recording the first 6 tracks in Sweden two months ago, and the textile is then much more funkier and edgier. And, of course, it'south more mature because I've grown as a person also."

—Spears on the progression of her material for the album.[vii]

Later on vacationing for six days following the completion of the ...Babe 1 More Fourth dimension Tour in September 1999,[eight] Spears returned to New York City to brainstorm recording songs for her next album; the bulk of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Go)", and "Don't Go Knockin' on My Door" were the start to be recorded at Martin's Cheiron Studios in the offset week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title runway) in January 2000. Spears recorded "Don't Let Me Exist the Last to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the song.[10] "Where Are Yous Now" was an outtake from ...Baby One More Time. "Girl in the Mirror" and "Tin can't Make You Love Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say Information technology" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that day. "I Buss from Y'all" was also recorded at Battery Studios but was later finished at 3rd Floor in New York City. Spears also recorded the last track for the album "Dear Diary" which would later on be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Eye". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterward attending the 42nd Annual Grammy Awards.[xiii]

By January, the then-untitled anthology was halfway to completion; Spears had worked on it primarily in the U.s.a. and Sweden, and finalized material in New York City.[9] She was heavily pressured after ...Baby One More Time 'due south huge commercial success, stating: "Information technology's kind of difficult following 10 million, I accept to say. But after listening to the new textile and recording it, I'one thousand really confident with information technology."[14] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there'southward some pressure", and added: "But in my opinion, [Oops!] is a lot amend than the first album. It'southward edgier – it has more of an mental attitude. It'southward more than me, and I recall teenagers will relate to it more." Geoff Mayfield, manager of Billboard charts, added that the decision to release Oops!... I Did It Once more less than a year and a half later Spears' debut amounts to "very smart timing. My philosophy is when you lot have a young fan base of operations, go 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Once again was considered as a sequel to Spears' debut anthology, ...Babe 1 More Fourth dimension (1999),[one] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the anthology has a more mature, R&B-flavored pop audio. "It's not something I changed purposefully", Spears said of the album's sound and added: "It's just something that kind of changed on itself with me existence older. My phonation has inverse a petty scrap and I'm more confident, and I think that comes beyond on the fabric."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It'south going to shock everybody", adding: "Information technology has flavors of the original, merely it's a directly 2000 version — new to the ear. Which I think is absurd, because people who appreciate that song are going to honey it. And I made it so new and young that the immature kids that love Britney are going to love information technology. It'south going to grab both a mature and immature audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the song, it'south so pure and fragile. Information technology's merely ane of those songs that pull you in", and added: "I think they wrote information technology 'specially for me, considering the lyrics of the song, if you really listen … they're more of what I tin can relate to, 'crusade they're kind of young lyrics, I retrieve. I don't call up Shania would probably sing some of the words that I'g maxim."[17]

The title track and opening song, "Oops!... I Did Information technology Again", was compared to her debut single, "...Baby One More Fourth dimension" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you call back I'g in beloved/That I'chiliad sent from above — I'grand not that innocent."[18] The song likewise breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[18] The second track "Stronger" is a synthpop[xix] and R&B-infused runway,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Babe One More than Time".[17] Another R&B-infused track, which as well adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[xx] The fourth track, a cover of the Rolling Stones' "(I Tin't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-popular version too jettisons the song's concluding verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my idea [to tape the song]", Spears said. "I was just like, 'I similar this song,' and I call up it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[13] The fifth track, "Don't Permit Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who too produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange'southward characteristically lavish product, finds Spears allowing a chip of country twang into her vocals every bit she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I demand to hear it straight from you lot", she sings.[17]

The 6th rail "What U See (Is What U Get)" demands respect past rebuking a jealous partner,[20] while the 7th runway, "Lucky", is a heart-rending tale of a Hollywood starlet'south loneliness, proving that fame tin can be empty.[20] "If there's nothing missing in my life/Then why do these tears come at night?", she asks.[19] "School crush" is the theme of "Ane Kiss from You",[20] a track that has a reggae-manner beat and lyrics about the feelings of falling in love, and the quickness of information technology,[23] with Spears cooing that later just one kiss she sees her unabridged futurity with her lover.[24] The ballad "Where Are Y'all Now" talks nearly wanting to know where a previous love is, and what that person is up to, so that she can finally allow them get and find closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] land that fancy cars and coin pale in comparing to truthful love,[20] with Spears singing: "I'thou but a girl with a vanquish on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop beat out,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a male child.[17]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming anthology in Europe with live performances of her past songs. She appeared on Blast Hits in the United Kingdom.[25] In Italy, she did a brusk interview on the television show TRL Italy in early on 2000.[25] and gave a surprise functioning in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied past NSYNC, who toured with her during a short United Kingdom outing in October 2000.[26]

Oops!... I Did It Again was first released in Japan on May three, 2000, and was later released in the Us on May 16. In the United States, Spears appeared on Sat Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People'due south 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Nighttime with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC's Sat Dark Live. She also performed on NBC'south The Tonight Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney's Outset Listen", on May xvi, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at 3:30 p.thou. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at apex.[29] Spears performed "Oops!... I Did It Over again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live functioning.[thirty] which included a cover of the Rolling Stones's hit single "(I Can't Go No) Satisfaction" (1965) and her own hitting "Oops!... I Did Information technology Again", released before that year. While she began her segment in a black suit, she shocked the audition and the media while, at only the age of eighteen, ripped information technology off to brandish a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] 1 calendar month before the release of the album, Spears headed to Hawaii on Easter Sunday and then she could tape a Fox telly special titled Britney Spears in Hawaii. The gratuitous concert was held on the embankment in front end of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve equally a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May ii, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was too among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at viii p.grand. (ET/PT).[34] She was besides expected to appear on a Grammy-mean solar day TRL.[34]

The anthology's supporting bout, the Oops!... I Did It Again Tour, visited Northward America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did Information technology Again" and "Don't Let Me Exist the Terminal to Know". On June 24, 2000, Spears was featured in a print and tv ad campaign for Clairol'due south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was function of a pre-concert video presentation for Spears's fifty-city summertime concert bout, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did Information technology Again" was released as the pb single from the album and achieved worldwide popularity. It became Spears'southward third top-ten hit unmarried on the US Billboard Hot 100, peaking at number 9; notwithstanding, in comparison to the huge success of her debut single "...Infant One More Fourth dimension", Jive Records considered "Oops!... I Did It Over again" a minor thwarting.[36] The vocal peaked at number one on the US Mainstream Elevation 40,[37] holding the record for the near radio additions in 1 day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the Great britain.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic reddish shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Bounding main jewel which Rose threw into the body of water at the cease of Titanic.[39]

The album'south 2nd single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered i of her all-time offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number v on the UK Singles Chart.[40] In the United States, "Lucky" merely managed to peak at number twenty-iii on the Billboard Hot 100 chart and at number 9 on the Mainstream Pinnacle 40.[36] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy moving picture star and shows her conflicted human relationship to fame.[41]

The third single, "Stronger", was released on Oct 31, 2000 and became the anthology's second highest-charting single in the United States, peaking at number eleven on the Billboard Hot 100 and number ane on the Hot Single Sales.[36] It reached number seven on the United kingdom Singles Chart.[42] Its music video sees Spears catching her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasance Principle".[43]

The fourth and final single, "Don't Let Me Be the Concluding to Know", was released on March 12, 2001 and is 1 of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Elevation xl. However, the song attained success in Europe, topping the Romanian Height 100 and peaking inside the top x in Austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the U.k., peaking at number twelve in all of them.[44] The music video was considered besides racy at the time, portraying Spears in love scenes with her fictional beau, played by French model Brice Durand.[45]

"You Got Information technology All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ commendation needed ]

Disquisitional reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [i]
Billboard favorable[xvi]
Christgau's Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia eight/10[50]
NME 8/ten[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.net [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[53] Giving the album iv out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More Time'," but remarked that, "Fortunately, she and her product team not only have a stronger overall set of songs this time, merely they as well occasionally become carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the album character autonomously from the well-crafted dance-popular and ballads that serve as its centre. In the end, information technology's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that can't be conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a young adult female coming to terms with her inner ability—and that'southward a darn good message to offer an impressionable audience."[16] Entertainment Weekly's David Browne gave the anthology a B-rating, writing that the anthology "reminds us in one case once more that the best new pop can be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of five stars rating, calling the album "fantastic popular cheese, with much amend song-factory hooks than 'N Sync or BSB get", besides noting that "the corking thing most Oops!, under the cheese surface, is complex, fierce and downright scary, making her a truthful kid of rock & roll tradition."[22] A writer of NME reported that "she'south mod-mean solar day popular perfection realised in a most, human form", commenting that "she'southward done it again."[19] Lennat Mak of MTV Asia named it "a brilliant 2d album", writing that Spears "is armed with a more than mature and seasoned pop star wait, stronger and poppier songs, and of course, all-encompassing media exposure."[l] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its bulletin but for the way it applies the conventions of the pop-musical medium."[51] Website The A.V. Order was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plough and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial functioning [edit]

In the U.s.a., Oops!... I Did It Again reportedly sold 500,000 copies in its beginning day of release.[lx] It debuted at number one on the Billboard 200 chart, with commencement-week sales of ane,319,193 copies.[61] [62] [63] With its success, Spears held the tape for the highest start-week sales past a female artist.[64] This record was held for 15 years, only to be surpassed in November 2022 by the album 25 by Adele, which sold over 3.38 million albums in the United States in its first calendar week.[4] The album fell to number 2 in its second week, with boosted sales of 612,000 copies.[65] Information technology held this position for fifteen consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did Information technology Once more had sold over three 1000000 copies and had passed five million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Manufacture Clan of America (RIAA) for shipments of seven meg units.[lxx] [71] The anthology spent eighty-four weeks on the Billboard 200, thirty-ane weeks on the Canadian Albums Chart, and 2 weeks on the US Catalog Albums.[72] Oops!... I Did It Once more debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number ane;[73] it sold over four million copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Over again reached number 2 on the Britain Albums Chart,[38] selling 88,000 copies in the commencement week of release; it remained in the top five for four weeks. The album debuted at number 1 in Canada, selling 95,275 copies in its commencement week.[75]

It topped the French Albums Chart[76] and the German Offizielle Top 100, besides existence certified triple Platinum past the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Nautical chart, and spent ten weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year later aircraft 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number 3 on the New Zealand Albums Chart and was certified Gold subsequently but one week on the nautical chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling album co-ordinate to Billboard Year-End of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Clan of America (RIAA).[87] [88] Likewise, the album landed at number twenty-seven on BMG Music Lodge all-fourth dimension best-sellers listing with ane.21 one thousand thousand units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (ane.24 meg).[89] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[xc] Worldwide, Oops!... I Did Information technology Once again sold 2.5 meg copies in its first week (second highest starting time week sales past a female artist worldwide) and sold 15 1000000 copies past the terminate of the year. It was the acknowledged female album and tertiary best selling album of 2000. The album has sold xx 1000000 copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You lot Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous Encounter Is What Yous Become" in 1999 to 1 of Spears' representatives for consideration on a future anthology, though it was rejected.[91] The case was later dismissed after it was ruled that they lacked sufficient prove and that at that place "weren't enough similarities between the two songs to show copyright infringement."[92]

Track list [edit]

Oops!... I Did It Once more  – N American edition[93]
No. Title Writer(southward) Producer(s) Length
1. "Oops!... I Did It Once more"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
iii:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
three:23
3. "Don't Get Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
4. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Let Me Be the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:l
6. "What U See (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
eight. "One Buss from You" Steve Lunt
  • Lunt
  • Larry "Stone" Campbell
3:23
nine. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
ten. "Can't Make You lot Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
11. "When Your Optics Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dearest Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Full length: 44:37
Oops!... I Did It Once more  – International edition[94]
No. Title Writer(southward) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
thirteen. "Dearest Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Total length: 48:24
Oops!... I Did It Over again  – Asian edition[95]
No. Title Author(s) Producer(southward) Length
xi. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got Information technology All" Rupert Holmes Eric Foster White 4:43
14. "Dearest Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and UK special edition[96] [97]
No. Championship Writer(s) Producer(southward) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
xiii. "You Got It All" Holmes White 4:10
14. "Middle"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did It Once again  – Australian special edition (bonus disc)[98]
No. Title Length
1. "Don't Let Me Be the Concluding to Know" (Anthology version) 3:fifty
2. "Don't Let Me Exist the Last to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) 10:12
four. "Stronger" (MacQuayle Mix Prove Edit) 5:21
5. "Stronger" (Pablo La Rosa's Tranceformation) 7:21
6. "Oops!... I Did Information technology Once more" (Music video) 4:xi
seven. "Lucky" (Music video) 4:07
8. "Stronger" (Music video) 3:37
nine. "Don't Let Me Be the Terminal to Know" (Music video) 3:51
Full length: xxx:52
Oops!... I Did It Once again  – Asian special edition (bonus disc)[99]
No. Title Length
1. "Oops!... I Did It Again" (Music video) 4:20
two. "Lucky" (Music video) 4:14
3. "Stronger" (Music video) 3:47
iv. "Oops!... I Did It Once again" (Karaoke) four:17
5. "Lucky" (Karaoke) iv:18
6. "Stronger" (Karaoke) 3:46
Full length: 25:25

Notes

  • Rail four, "(I Can't Become No) Satisfaction" is a comprehend of the 1965 Rolling Stones single.
  • ^a signifies a song producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Bricklayer, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Tater – art direction, design
  • Marking Seliger – dorsum embrace, comprehend photograph
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – pilus stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken word
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-upward
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, usher, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Hairdresser – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sugariness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – groundwork vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of best-selling albums
  • List of acknowledged albums by women
  • List of best-selling albums in the U.s.a.
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the United States co-ordinate to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year past year. 1959-2002] (in Spanish). Madrid, Kingdom of spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

busharegiciend.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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